His incarnations (Hala Strana, Ulaan Khol, etc.) have inspired my writing for years. There’s a great interview here by Michael Begg, on a website called The Quietus.
From the interview, something also true for writing fiction (for me anyway).
Do deserts generally appeal to you?
SRS: I haven’t traveled to any other desert region, other than out here in California, so it’s hard to say. I’m certainly drawn to the idea of the desert. It’s sort of like when you are on the phone or back in school and not really paying attention and you find yourself doodling on a pad of paper – what comes out? For me it’s always this sort of sketch of a barren, horizon line landscape, and these sort of wrecked structures or cities, just like on the album covers. It’s what comes out and I don’t really question it much. My guess is that this music is coming from the same place as the doodling on the pad of paper. It’s not intentional, but if you’re playing honestly and without preconceived ideas then what comes out is sort of what’s humming down deep in there all the time. I guess for me it’s this sort of barren vista.