Which is a followup from the previous stack of books post.
Today is the official release day for the paperback and ebook editions of my novel, The Painting and the City. The book originally came out in 2009 as a limited edition hardback from PS Publishing. This new edition is brought to you by Steve Connell of Verse Chorus Press and his new imprint The Visible Spectrum. Paperbacks are available from independent stores everywhere, Bookshop.org and Amazon, and ebooks from various places.
I will read from the novel Tuesday, August 10, 7 pm, at the Emporium in Yellow Springs, with guitar accompaniment by Kurt Miyazaki. We’ll be doing a live stream from the Emporium’s Facebook page.
Local store Dark Star books will sell copies at the event.
This has been in process for a long time, but I can finally announce that The Visible Spectrum, a new imprint of Verse Chorus Press, is publishing the first U.S. and first paperback edition of my novel, The Painting and the City, set for a July 20, 2021 release. The book came out from PS Publishing in 2009, in two editions, a 100 copy slipcased hardback signed by myself and the introducer (Jeffrey Ford) and a 350 copy regular hardback signed by me. These were expensive and available in few stores.
I’m excited to have this new paperback (and ebook) coming out. I’ll post more as it gets closer to the release date.
I’m pretty thrilled to announce that I have a contract from PS Publishing for a short story collection. The title is Undiscovered Territories, publication tentatively late 2020. The collection will have over 98,000 words of my short fiction, including the novella, In Springdale Town, which came out in book form from PS in 2003.
Chris Roberts will be creating cover art and possibly some interior illustrations for part title pages.
Here’s a blurb from Steve Rasnic Tem (a shortened version will appear on the back cover):
“Writers who work in fantasy and science fiction often feel the need to adjust their raw imaginings to the expectations of genre. My experience of Robert Freeman Wexler’s work in Undiscovered Territories is that he has largely been able to avoid that compromise, creating emotionally and stylistically complex literary fairy tales which do not fit within the standard genres. Neither are they “realistic” in the conventional sense. In Wexler’s fiction bread sings and narrates its autobiography, a four-armed giant slips and tells a story while lying flat in the snow, and a vision of a rain forest appears on the wall of an urban building. As far-fetched as these metaphors may seem, they achieve an unexpected realism through Wexler’s manipulation of fragmented texts (an art history, a series of government proclamations, etc.) and a style which mimics such familiar modes as the adventure story and the travel journal. The result is at times reminiscent of a Jonathan Swift or a Jorge Luis Borges, and in all ways, fantastic. “
I’ve been busy working on The Silverberg Business and setting up as a free-lance book designer. The website for that is here. I wasn’t ready to go 100 percent free-lance, but the day job became something I couldn’t do any more.